BOMB: Theda Hammel, Stress Positions
April 26, 2024
LA Review of Books: Watching in L.A.: The Los Angeles Festival of Movies’ First Year
April 26, 2024
Slant: Liu Jian, Art College 1994
April 21, 2024
In Review Online: New Strains (L.A. Festival of Movies ‘24)
April 10, 2024
In Review Online: Malqueridas (L.A. Festival of Movies ‘24)
April 10, 2024
BOMB : Bertrand Bonello, The Beast
April 5, 2024
In Review Online: The People’s Joker
April 2, 2024
In Review Online: Jessica Hausner, Club Zero
March 12, 2024
Screen Slate: AG Rojas: The End of Suffering
March 9, 2024
Literary Hub: Literary Guide to the 2024 Oscars
March 4, 2024
Feature: Doug Campbell, the Lifetime Network, and the Made-for-TV Movie
June 2, 2023
Interview: Patricia Mazuy, Saturn Bowling
September 22, 2023
Interview: Alice Winocour, Revoir Pairs
June 29, 2023
Interview: Rebecca Zlotowski, Other People’s Children
April 18, 2023
Interview: Marie Kreutzer, Corsage
November 17, 2023
BOMB: Tyler Taormina, Happer’s Comet
February 8, 2024
Essay: Witness to Atrocity: Watching Women Talking
December 20, 2022
Essay: on Jane Campion’s The Power of the Dog
January 14, 2022
Essay: Get Out and Black Horror History
June 24, 2020
Review: The Urania Trilogy
February 21, 2024
Review: Christine Kenneally, Ghosts of the Orphanage
August 10, 2023
The Millions: Marlena Williams, Night Mother: A Personal and Cultural History of The Exorcist
October 26, 2023
Feature: Tuesday Weld and Mia Goth
March 13, 2023
Essay: Virginie Efira
February 9, 2023
Review: Merawi Gerima’s Residue
September 17, 2020
Profile: Isabel Sandoval
August 26, 2020
Review: Christian Petzold’s Afire
July 14, 2023
Review: The Idol
June 5, 2023
Interview: Quentin Dupieux
March 28, 2023
Article: Louise Lasser
March 10, 2023
Article: Abbott Elementary
February 18, 2023
Article: Raquel Welch
February 15, 2023
Obituary: Yoon Jeong-hee
January 30, 2023
List: Top 10 Movies of 2022
January 11, 2023
Mentions: Close, Nostalgia, Pacifiction
November 1, 2022
Essay: Lena Dunham, Mikhail Bakhtin, and the Middle Ages
October 14, 2022
Little White Lies: Sophie Kargman’s Susie Searches
Rue Morgue: Mark Mylod’s The Menu
Rue Morgue: Kevin Williamson’s Sick
Slashfilm: Graham Foy’s The Maiden
Slashfilm: Sophie Jarvis’ Until Branches Bend
Slashfilm: Basil Khalil’s A Gaza Weekend
Slashfilm: Catherine Hardwicke’s Prisoner’s Daughter
Literary Hub: TIFF Literary Wrap
The Hollywood Reporter: Cannes: Why Greek Cinema is Having a Moment
Little White Lies: Ariel Escalante Meza’s Domingo and the Mist
Literary Hub: Claire Denis’ Stars at Noon
Literary Hub: Albert Serra’s Pacifiction
Fangoria: Cannes Genre Wrap
Film Inquiry: Marie Kreutzer’s Corsage
Film Inquiry: Cristian Mungiu’s R.M.N.
Film Inquiry: Elena López Riera’s El Agua
Film Inquiry: Alice Winocour’s Paris Memories
Rue Morgue: Mark Jenkin’s Enys Men
Unifrance: Comment: Lucie Zhang in Paris, 13th District
Review: Paul Verhoeven’s Benedetta
May 12, 2022
Review: Everything Everywhere All At Once
May 22, 2022
Review: Apichatpong Weerasethakul’s Memoria
May 4, 2022
Review: Adrian Lyne’s Deep Water
April 11, 2022
Review: Roland Emmerich’s Moonfall
March 21, 2022
Review: Paul Thomas Anderson’s Licorice Pizza
February 21, 2022
Review: Dasha Nekrasova’s The Scary of Sixty-First
October 17, 2021
On the restoration of Joan Micklin Silver’s Hester Street
October 14, 2021
Reporting: “Councilmember O’Farrell’s Staff Lash Out at Local Bookstore for Supporting Unhoused Neighbors”
February 11, 2022
Interview: Rob Savage, The Boogeyman
October 1, 2023
On Ivan Zulueta’s Arrebato
October 26, 2021
On Dave Alexander’s Untold Horror
Print: July/August 2021
Review: Damian McCarthy’s Caveat
June 1, 2021
Interview: William Brent Bell’s Separation
April 30, 2021
Nightstream Festival 2020 Reviews:
Emanuela Rossi’s Darkness
Albert Pintò’s 32 Malasaña Street
Zoé Wittock’s Jumbo
Review: Jonas Poher Rasmussen’s Flee
March 2022
Review: Ryûsuke Hamaguchi’s Wheel of Fortune and Fantasy
January 2022
Review: Thom Anderson’s Los Angeles Plays Itself
September 2021
Profile: Doug Campbell
August 2021
Essay: “‘All Goodness is in Jeopardy:’ Dead Girls at the End of the Decade”
December 2020
Substack: Some Die in Battle, Some in Bed: Forever Amber
October 16, 2023
Profile: Patrick Wilson
June 3, 2021
Feature: 50 Film Festivals Worth the Entry Fee
Print: Spring 2021 | Online: May 22, 2021
Profile: Odessa Young
Print: Fall 2018 | Web: September 21, 2018
Profile: Sydney Sweeney
Print: Summer 2018 | Web: July 23, 2018
How to Be Both: Quad Cinema's 'Laws of Desire: The Films of Antonio Banderas'
September 19, 2019
Interview: Ed Zwick
Print: Spring 2019 | Web: May 16, 2019
Interview: Christian Petzold, Transit
March 7, 2019
Interview: Adina Pintilie, Touch Me Not
Feb 28, 2019
Interview: Brady Corbet
December 7, 2018
Interview: Jason Reitman
November 15, 2018
Book Review: Seduction: Sex, Lies and Stardom in Howard Hughes's Hollywood
by Karina Longworth
November 15, 2018
Book Review: Hitchcock's Heroines
by Caroline Young
Print: Summer 2018 | Web: September 14, 2018